Can anybody with a much deeper understanding of this subject help me find out the historical timeline of numerology and which religions have numbers that correspond to these notes and a minimum of my emotional interpretation of them. I really desire to break this thing open. I actually believe something happened that isnt coincidence.
A while back I was taking a music theory class and in it they went over the octave scale. I saw that the most unified note to the tonic was the 7th half action and the most dissonant note was the 6th and it was made up of 12 notes.
Can anyone with a deeper understanding of this subject help me figure out the historical timeline of numerology and which religions have numbers that correspond to these notes and at least my psychological analysis of them.
I saw that the most unified note to the tonic was the 7th half step and the most dissonant note was the 6th and it was made up of 12 notes. As far as I can see the 12 note scale that we use in modern-day music was developed by Pythagoras in about 500 B.C. with a formula where Frequency= 2 ^ n/12. Keep in mind I am simply playing these notes by playing the tonic initially as a recommendation and then playing one of the 12 right after. Note that the great notes practically perfectly follow the significant scale except number 11 and 10.
As far as I can see the 12 note scale that we utilize in contemporary music was invented by Pythagoras in about 500 B.C. with a formula where Frequency= 2 ^ n/12. This generally doubles the frequency every 12 notes but the frequencies are not uniformly spaced out. Either the numerology is genuinely magnificent and music shows it or religions copied numerology from Pythagoras music system.
This is how I currently translate the octave scale in terms of feelings surrounding each note:
0-Tonic
1-bad (deceptive/unknown).
2-good (confident/hopeful).
3-bad (Aggressive).
4-weak good( Mournful Healing/Melancholy).
5-good (Sounds like a trumpet prior to battle/Cavalry).
6-bad (Mischief, Sadism, “Twisted”).
7-good (Victory, Divine).
8-bad (Worry).
9-good (Hope, Nostalgia).
10-good(???).
11-bad (Imminent danger).
12 -Tonic, excellent (Divine clearness).
Keep in mind I am just playing these notes by playing the tonic first as a recommendation and then playing one of the 12 right after. Note that the good notes nearly perfectly follow the major scale other than number 11 and 10.